Tag Archive for 'fuzz'

“Tempest” by Drop Nineteens

drop.jpgThis is a rocking Pixiesish track from a post-shoegaze-phase Drop Ninteens. & it’s about Boston!

I find this song a bit shocking; especially after listening to the rest of the Drop Nineteens’ Caroline and Hut records releases. It’s so upfront and tight. Seems to me this should have been all over mainstream radio in 1993.

Drop Ninteens, “Tempest” from the Limp EP on Hut Records (1993)

“Winona”, from Delaware:
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“My Aquarium”, from the My Aquarium EP:
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90s!

“Nadine” by Kevin Dunn

independents.jpgStrange, fuzz-rock cover of the Chuck Berry Classic from the guy who produced Pylon’s “Cool” and co-produced the B52s’ “Rock Lobster.”

 

The backing vocals on this sound different to me every time I hear them. Some great out-of-control noises on this one as well. Based on this recording, I bought a copy of Kevin Dunn’s C’est toujours la meme guitare LP, but it was shattered when it arrived in the post.  If anyone has this album, I’d LOVE a rip of it.

 

Kevin Dunn, “Nadine” from the A Declaration of Independents compilation LP on Ambition records (1981)

“Holy Holy” by Play Dead

playdead.jpgBack from Buffalo with a million things to do. Here’s a quick holdover goth post I ripped from vinyl before I left.

I have a new batch on deck that I’ll begin posting soon, please let me know if there are any requests.

Here’s some mid-80s fuzzy goth from UK’s Play Dead. Weird but funky. Maybe more akin to a darker A Certain Ratio than anything typically goth. They’re on MySpace– more songs and obligatory reissue information there.

Play Dead, “Holy Holy” from the From the Promised Land LP on Clay Records (1984)

“Crystal Clear” by the Darling Buds

darling.jpgI miss hearing stuff like this on the radio. The Darling Buds get lumped in with all of the late-80s/early-90s woman-led British bands, but they stick out for me for some reason. I’m kind of a sucker for poppy stuff like this where someone paid way too much attention to the background guitar sounds.

Though not on this record, former Darling Bud Donna Matthews played in Elastica as well.

The Darling Buds, “Crystal Clear” from the Crawdaddy LP on Epic Records (1990)

On Youtube:
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“Crash,” by the Primitives, the group I always confuse with the Darling Buds:
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“What I Got, I Got (Ain’t Gonna Lose It)”, by Maurice

maurice.jpgGreat fuzzy funk vocal track from 1971. On “My” records. Notice how me-centric that label is… they want you to sign your name on the actual record so everyone knows it’s yours.

I don’t know anything about this record apart from what’s on the label. It looks like Maurice may be “Maurice Rice,” who has the writing credit, by googling is poweless to learn anything.

Maurice, “What I Got, I Got (Ain’t Gonna Lose It”, from the My Records 45 (1971)

“Ain’t That Cold,” by Something Real

aint.jpgI really don’t know much about this track other than that it has the world’s best title. I picked this up for a couple of bucks based on the Mankind 45 label, which I think is the best ever designed. All of the Nashboro Distro labels were good, but the simplicity of this one seems out of place among the rest. I’m sure I’ll post some tracks and images of other Nashboro Group imprints (like ABET and excello), but on to the music.

Not only does this track a tight drum intro, but it all seems a little out-of-time. But, of course, the whining waaah-waaah-waaah horns pull it all together. A nice little uptempo number with a cool undermixed guitar solo. There’s even a scratch on the disc that creates a well-timed skip that is almost unnoticeable.

“Ain’t That Cold,” by Something Real on Mankind 45 (197?).

I haven’t found much of anything online about this act or this record save for a few postings of copies for sale for way too much money. I’ll update the comments if I learn anything.

“Franklin’s Theme,” by Bill Loose

cherryFirst off, this song is way too short. It’s the standout track on the soundtrack to Russ Meyer’s Cherry & Harry, & Raquel, which I haven’t seen. Franklin must be some slick, meandering cat though, if this is his theme.

I put this on a few mixtapes in the late 90s, and everyone who heard it wanted to borrow it to sample. I felt like it deserved to live on its own (and I am usually all about remixing things) because it was so unique. I’ve played this track at all points on my turntable’s pitch sliders, and it always comes out sounding sludgey & fresh.

Bill’s got some pretty impressive composing and music direction credits (including being the uncredited stock music composer for Romero’s original Night of the Living Dead). I bought this record at Papa Jazz in Columbia, SC, about 10 years ago. You see a lot of Russ Meyer soundtracks repackaged and reissued, but I’ve yet to see this one among them. All of the music is worth a listen, though.

Bill Loose,”Franklin’s Theme,” From the Original Soundtrack recording of Cherry & Harry, & Raquel (1970)

Incidentally, I was first pointed to Russ Meyer’s movies by Redd Kross’s first album, Born Innocent, on which they cover “Look On Up From The Bottom,” as played below by Beyond The Valley of the Dolls’ The Carrie Nations. I’m still not sure which version is better.
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Actually, while your at it, check out “In the Long Run” as well:
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& “Find it,” which is a terrific rip off of Shocking Blue’s “Hot Sand”:
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What a great movie.